One gallery for every way you deliver.

Drag in the finished edit — photographs and video together. PixelPort generates web-sized renditions for browsing and keeps the originals untouched for delivery and sales.

Video is transcoded for streaming, so a 4K walkthrough plays in the gallery instead of downloading as a 3 GB file.

Uploads run in the background. Close the tab and the transfer keeps going; come back and the gallery is waiting.

Set your logo, colours, and typography once and every gallery uses them. Connect your own domain and PixelPort handles the SSL certificate.

Paid plans remove PixelPort's own branding, so the client sees your studio from the first screen to the receipt.

Studio-plan accounts can keep several brand presets, which matters when one company shoots under more than one name.

A gallery can be public, unlisted behind its link, gated by the client's email address, or locked with a password. Downloads are on or off per gallery.

Turn on a text or logo watermark for proofing. Position it, tile it, or dial the opacity down. Purchases and deliveries always get the clean original.

Settings are per gallery, not per account, so a public portfolio piece and a locked boudoir set can live in the same studio.

The client opens the gallery on a phone, a laptop, or a television. Folders keep a wedding day or a property tour in order rather than as one long scroll.

They mark favourites and submit their selections in the gallery. You see the activity in your dashboard instead of reconciling an email thread.

Nothing to install and no account to create. The link is the whole experience, which is why relatives actually open it.

Price individual images, offer the whole gallery at one price, or sell lab-fulfilled prints and albums. Coupon codes work on any of them.

Checkout runs through your own Stripe account, so the money arrives in your bank, not ours. PixelPort adds no commission to a single sale.

A client who has already bought an image sees it marked as purchased and downloads the clean original for free, however many times they come back.

Every gallery records views, favourites, downloads, and return visits. A client who opened the gallery four times this week is a print sale waiting for a message.

Galleries stay up as long as your plan does, so an anniversary or a house move can still turn into an order two years later.

Studio-plan accounts get revenue broken down by client and by gallery, which tells you which kind of work is actually worth booking more of.

A wedding is 2,000 frames, a film, and two families who all want copies. Folders keep the getting-ready, ceremony, portraits, and reception separate so nobody scrolls past what they came for. The couple shares one link, and the relatives who follow it are the people most likely to order a print.

Sessions turn on selection. Clients favourite the frames they want, submit the set, and buy the digitals or prints in the same sitting. You stop chasing image numbers over email, and the ordering happens while they still have the images in front of them.

New parents are tired and grandparents are far away. A gallery that opens on a phone, needs no account, and takes a print order in three taps sells the wall art that a folder of files never will. Watermarked proofs keep the previews yours until they are paid for.

Stills, drone frames, and a 4K walkthrough belong in one delivery, not three links. Agents get a branded gallery they can forward to a seller, and you get a record of who opened it. Turnaround is the product here, and one upload covers the whole shoot.

Privacy is the whole job. Lock a gallery with a password, require the client's email address, or leave it unlisted so it exists only for whoever holds the link. Downloads are yours to switch on or off, per gallery, at any time.

Conferences and parties produce a lot of frames for a lot of people. Folders by session or by hour keep it navigable, and a buy-all price lets an organiser take the whole set in one transaction instead of picking through it.